Get a head start on your holiday shopping at Clay & Cask 2025! Join us for a celebration of local art and fine wine! Enjoy an evening discovering one-of-a-kind, handcrafted art and gifts, while you sip wines from Lucid Winery.
Ceramic artists, jewelers, woven garments, Japanese silk, and wild crafted herb teas! Something for everyone on your list! There’s also a wonderful menu of non-alcoholic delights to enjoy for those who choose not to imbibe.
I’ll be there with my pieces and I’d love to see you there too!
Some designs present themselves to me in ways I don’t expect. This brown agate with those lovely bands through it had been sitting on my bench for a while when the cast branch and mitsuro band made their way next to it one day. All of their textures really compliment one another and it inspired me to create this piece celebrating those textural lines. Here is the process I went through to create this piece.
Soldering
Each piece I create starts with raw materials such as casting grain, sheet, or wire. Here are the pieces after they had been cast but weren’t realized yet into the ring that they’d become.
Here I have the ring band set up in the 3rd hand (that’s what the tweezers are called) getting ready to solder the face of the ring onto it.
I use charcoal blocks and soldering pads to help hold my work while I’m soldering.
In this photo the face of the ring has been soldered onto the band. The bright white of the piece is what silver pieces look like after they’ve been pickled in an acid bath to remove the oxides and flux used in soldering.
Patination
After soldering and removing all oils from the surface of the piece, I painted on a dark patina with a blackening agent.
After patination, I polished the patina off of the high areas of the piece creating a lovely depth and contrast to bring out the textures in the various areas of the ring.
Setting the Stone
Here I’m about to start setting the agate stone into the ring. The ring is held in a vise with leather so that it doesn’t get marred up by the steel jaws of the vise.
Before setting the agate, I am testing the fit here to make sure that the stone sets nicely in the seat of the ring. Here I am using a piece of dental floss so that I can remove the agate easily. Usually, the bezel setting of a stone is a snug fit and if you don’t have floss or something else that you can use, to pop the stone out with, your stone could get stuck in a setting that may need adjustment.
In the image above you can see how the walls of the bezel surrounding the stone are just slightly pulled away from the stone. This is the bit of metal that I am going to push over the curve of the stone to hold it in place.
Finished Ring
Agate Branch Mitsuro Ring in Sterling Silver
Here is the ring finished in all of its linear textural beauty! You can see how the bezel is now snugly hugging the stone and how the patina accentuates the textures in the piece.
Thanks for taking the time to learn about how this piece was made!
To follow more of my journey with mitsuro follow me on Instagram and Facebook!
“Why did you choose the mitsuro technique and jewelry as your primary art medium?” This was a question a friend asked me recently.
The simple answer is because I found a passion and connection for creating with the medium.
The long answer starts back when I was a student at the University of Hawai’i at Manoa studying Studio Art. I decided to step out of my comfort zone, which was primarily 2D painting/drawing mediums at the time, and take a small scale sculpture class. This course was taught by Fred Roster and he encouraged us to create jewelry as sculpture if we wanted to.
The idea of using jewelry as a sculptural art medium really resonated with me. Being able to wear and take my art with me felt like a very accessible way to share my work with other people.
(Plus, jewelry size sculptures fit in my college apartment way easier than large paintings and full-sized sculptures!)
My very first lost wax casting! 2008 Coin Design Project, Small Scale Sculpture, University of Hawai’i at Manoa. Left is the front and the right is the back of the design.
One of the sections in our class focused on metal casting. For our first castings, we had to create a coin design in wax and then cast it into bronze. The casting process requires you to put your wax model into a mold, burn the wax out of the mold in a kiln, take the hot mold out of the kiln and immediately fill it with molten metal.
Lost Wax Casting
I became fascinated with taking solid metal, turning it liquid, and making it look like anything I wanted it to.
Heather Scott casting at the University of Hawai’i at Manoa 2008/2009
Mitsuro Final Project
For my final project I had to choose a technique to research and create pieces with it. When looking through books in Fred’s office, I came across a book with the Mitsuro technique in it. The book was translated from Japanese so there were words that didn’t quite make sense in context to what was being explained.
I took the book to Fred and told him that the technique had qualities that really resonated with my artistic style and asked him if he could help me learn it. He said “I don’t know what that is. Hopefully I don’t have to fail you at the end of the semester.” I said “Oh, maybe I should pick something else for my project…” He said, “No, you already said that it’s speaking to you. You need to figure it out. I won’t allow you to change your project.”
Heather Scott’s first batch of useable mitsuro wax created in her college apartment in Honolulu 2008!
And you know what, he was right in pushing me to figure it out because in the journey I fell more in love with the process. I was curious and determined. After countless batches of differing wax concoctions I figured out a usable mitsuro wax recipe that created the properties that I desired in the wax so that I could create pieces for my final project.
Heather Scott’s first mitsuro wax design, 2008.
After college I continued working with it because it’s what feels natural to me. It’s not a carving wax. Instead, the wax is manipulated and shaped with my hands. I love holding the medium, making it do new things, and refining it into my own style. After 15 years of working with it, I still find the same joy when creating with mitsuro.
Heather Scott’s first pendant and ring using the mitsuro technique in 2008. The pendant is cast in bronze and is her first mitsuro piece she ever made. The ring is cast in sterling silver and is her first silver mitsuro piece she made.
To follow more of my journey with mitsuro follow me on Instagram and Facebook!
To see my most recent rings based on the design of my very first mitsuro ring, visit my shop page!
This little sterling silver bow and arrow necklace was a very special surprise gift for someone who has their own special meaning for arrows and how they remind them to keep aiming.
It was fun to take on a piece that is outside of my usual style. I wanted to give this piece those little extra details that make a handmade piece of jewelry even more special.
The little feather pieces at the end of the arrow were hand cut and the feather lines were delicately marked and cut by hand to make them a little deeper. I made the arrow head piece thicker so that it would have some weight to it to help balance the piece and hold the bow and arrow straight when hanging. The ends of the bow were drawn out in a rolling mill so that they taper so that the swirls would have a more natural flow to them. The rope was hand twisted and delicately wrapped around the bow. The front of the bow and the feathers were the only parts that I carefully gave a darker patina to so that there would be contrast between them, the rope, and the rest of the arrow (which is very hard to see in the photos).
The most important thing is that the recipient loved it!
Here are some photos of my process in creating this special bow and arrow necklace:
The little pieces on my fingers will become the feathers at the end of the arrow. The silver rope was a challenge to solder on to the bow. The bow is so much thicker than the wire rope and it takes much more heat to get it to soldering temperatures. Because of this, it’s very easy to melt that wire rope before getting the pieces to solder together.
I use my drawings to help me layout my designs and remind me of qualities that I want the piece to have.
This photo was taken on my soldering pad right after the last piece was soldered on. You can really see the tapered ends of the bow well in this photo. The next step is to polish it up!
I loved the little shadow the arrow made on my jeweler’s bench.
The finished piece next to its preliminary drawing. Many of my jewelry sketches are much more utilitarian than artistic because I want to get started as soon as possible on creating the actual jewelry piece in metal.
“Keep Aiming”
I was very excited when I finished the bow and arrow and it balanced perfectly on the chain.
I really love looking through my collection of jewelry making books for inspiration and to refresh my memory on techniques. I often get asked which ones are my favorite so I thought I’d share some of my favorite jewelry making books here.
The Workbench Guide to Jewelry Techniques by Anastasia Young:
I love this book because she lays things out in an easy to understand way and has some projects with photos that you can try out the techniques with. It’s a full color book and very well put together. If you are just learning jewelry making and get no other book, get this one! It is the book that I wish I had when I was first learning.
Professional Jewelry Making by Alan Revere:
This book gets more into the professional techniques of jewelry making. This is definitely a more advanced book than Anastasia’s book. This book has a ton of projects and are all about fabrication from stock, sheet, and wire. I’d say this would be a great addition for someone who has the basics down and wants to start making more traditional type jewelry (the kind we see in the jewelry stores). This book might be a little overwhelming for someone who is just starting to learn jewelry making.
Gemstone Settings: The Jewelry Maker’s Guide to Styles and Techniques by Anastasia Young:
This book is gorgeous! Some of the projects are very well described for beginners and others lean toward more advanced jewelers. I definitely recommend this book in addition to taking classes because some of the techniques may seem confusing if you’ve never seen them done before. The example photos of other artists works are very inspiring and beautiful.
Those are some of my favorite books in my jewelry book library. Be inspired and make awesome art!
Recently I was asked to create a very special piece for a wonderful woman whose birthday happened to land on Mother’s Day this year! Her husband asked if I could create a piece that incorporated their two little girls and their life together. He told me that their oldest daughter is their bunny baby and their second daughter is their moon baby. The girls’ birthstones are emerald and garnet. They also live in Hawaii so I wanted to incorporate the ocean into their design as well. Hence the birth of the Hawaii Moon Rabbit Necklace.
Here’s the initial design sketch of the moon gazing rabbit. Her name starts with an ‘S’, so I created the bunny in an abstract ‘S’ shape. I love all the symbolism in this piece!
Here the rabbit is formed out of mitsuro wax. I was SOOO excited about the design when I figured it out. I ADORE that little bunny tail, it’s the cutest thing!
Here the rabbit and wave have been cast in metal and the garnet has been set in its tube. I was looking at the placement, nothing was attached together yet. I always think it’s fun seeing how my pieces look next to their sketches.
Here is the sketched layout of the starry background before etching the stars onto the back plate.
Here I’m checking the placement of the rabbit, moon, and wave in relationship with all the stars before etching.
Rabbit, wave, circle, and garnet all have their own unique finishes and are all attached together here. And the bunny is finally awake with its little Chatham emerald eye!
Finished piece!
The star background was etched, given a black patina, and each star was carefully polished to remove the patina and give the stars some sparkle. This was the first piece that I’ve ever created that I set a precious stone in! That tiny little Chatham emerald sure does sparkle a lot!
It was such an honor to create such a personal and special piece. She loves it and let me know that the stars and gems equaling 8 was also special because they were married on 08/08/08!
She sent me this special story about her necklace and her little one: “Wearing my new necklace today (and basically every day since getting it 🙂 ) My 2 yr old pointed to the moon and said “Me?” and I said yes and then she pointed to the bunny and said “That’s sister?”. Amazing she got it from one time showing her days ago. So treasured!”
I was asked to create a custom pair of music note earrings for a special anniversary. When I met with my client, I asked him to tell me a little about what he was envisioning for the gift he wanted to make for his girlfriend. He told me he wanted a pair of earrings that would describe her. She loves music, swing dancing, and things that are different. He envisioned a pair of music note earrings that also incorporated her love of dancing.
Initial sketch of the design for the music note earrings.
We decided on a design where the earrings aren’t the same but obviously are a set. At first, we imagined a pair of dance shoe shaped earrings, but we decided on little swing dancers and music notes being etched into the earrings.
The pieces that are going to be etched have a special coating applied to them to protect the area that shouldn’t be etched. The design that we want is left unprotected so that only the exposed metal will etch. The client chose the music notes and the dancers that were etched into the pieces.
Here I’m soldering together the little heart detail. Sometimes as I’m working I’ll discover a design element that I like more than the original so I’ll adjust the design slightly.
I love how this image shows each component of the music note earrings right before the final pieces are put together.
This photo really shows the 3-D nature of the earring and how the concept stayed the same with a few adjustments to enhance the design.
Finished music note earrings. I love how the etchings of the dancers and the music notes enhance the earrings.
These earrings are definitely different from my usual mitsuro pieces that I’m regularly asked to create. It was fun to do a fully fabricated piece from metal again. I hadn’t done any etching since I took an intaglio printmaking class back in college!
The best part of the whole thing was delivering the earrings to the client! He was so excited, I really wish I had gotten his reaction on film. It was the best! He had a huge smile, said WOW, and there was even a bit of jumping for joy! Later he told me that his girlfriend LOVES the earrings and had a similar reaction when she first saw them.
These feelings and moments are why I love making jewelry and art for people. Helping to create memories and smiles for others is the best feeling and worth every moment I spend making something special.
I had the pleasure of creating a custom lotus engagement ring for a very special client. They said they like the flowing designs and delicate textures I create with my mitsuro pieces and asked that those elements be incorporated into a lotus engagement ring. This ring is definitely different from many other pieces I’ve created in the past. The design took a great amount of experimentation to find the best way to create the lovely little lotus.
This wax model was the moment where I knew this was the design!
I made about fifteen different flower designs. Some ended up in a pile of squished wax and others were more promising and still sit on my bench as a reminder of the process. Part of what I love about being an artist is the mystery of the piece that’s going to be created. I don’t know exactly how a piece is going to look or come together until it happens.
Here is the lotus flower an the shank right after being cast in white gold and just barely cleaned up.
It’s so exciting to see a piece starting to come together! After assembling the shank, flower, and prong setting I couldn’t wait to set the stone in the ring!
I love the profile view of the lotus flower and ring! The box is handmade by another local artist I know.
After seeing the stone set and the lotus engagement ring finished, I completely fell in love with it. I didn’t want it to go!
I only had the completed ring in my possession for a few hours before the client came to pick it up. My passion, creativity, love, and soul go into each piece I create. Sometimes, when I finish a piece and there’s not much time until its delivery, there’s a moment of separation anxiety. It’s like a part of me left. It’s not a bad thing, I’m glad I love each thing I create so much and I’m sure that others will too. With this ring, the client loved it very very much. He said it was perfect for his Lotus and that she was going to love all the details.
He proposed in Hawaii and she said YES! After the proposal she told me that whenever she wears it she feels even more beautiful! That, my friends, for me, is the best compliment in the world.
I wish them all the happiness and aloha on continuing their adventure together!
On a side note, this weekend 4/2/16-4/3/16 I’ll be at High Hand Gallery in Loomis, CA for their annual Art Fest! For more information please click here! It’s a free event and open to the public, so please feel free to invite others through the Facebook invitation also! I hope to see you there!
I’m often asked about how I create my pieces. Usually, I only have time to share the mitsuro portion of my jewelry design process with people who I meet. Today I want to share with you some of my wave necklace process that combines traditional jewelry design elements with the mitsuro. Sometimes I’ll cast a piece of mitsuro that has a fate that is yet to be determined. These pieces sit in my studio till I create the right design for them. The wave portion of this pendant sat in my studio for months before I finally created a design that balanced the striking shape and flow of the wave. Similarly, the yellow sapphire had been waiting for just the right piece to accentuate. Sapphires are associated with wisdom and have been worn for good fortune, protection, kindness, and wise judgment. Maybe the sapphire had a little to do with helping to get my creative energy flowing to design this pendant!
Here’s a video of this part of my jewelry design process:
Deciding how to hang a pendant from a chain is always a challenge. There needs to be balance and you need to decide how the hanging mechanism is going to play into the pendant design. I wanted the hanging mechanism to help hold the wave at the appropriate angle since the piece is a little heavier on one side than the other. I decided on a tubing that could be hidden behind the top of the pendant that the chain fit through. This way the hanging mechanism isn’t interfering with the design of the wave pendant but the piece is balanced when worn.
I’ve started incorporating more stones into my designs. I hope you enjoy seeing how they accentuate each piece as much as I do. Thanks for letting me share my wave necklace process with you!
To purchase this wave necklace, visit my shop here.
If you’re interested in stones this is a pretty fun book: Gem and Stone: Jewels of Earth, Sea, and Sky
I just finished reading the book “Chatting with Henri Matisse: The Lost 1941 Interview”, Henri Matisse with Pierre Courthion. If you’re looking for a compelling book that gives you a glimpse into the life of a world renowned artist, I highly suggest it. It was a fascinating read. It really gives you a sense of Matisse’s personality, as if he is talking directly to you. I enjoyed hearing/reading Matisse talk about his artistic philosophies. Matisse was a respected and famous artist in his own lifetime.
Being an artist was his profession. As an artist myself, hearing him talk about his career with the interviewer, Pierre Courthion, is inspirational. Especially since our society seems to perpetuate the stereotype of artists not being able to make a living off of their art while they’re alive.
He talked about his travels, light, and his thoughts of other artists of the time such as Picasso. When I first started reading the book I didn’t think it would be one of those that I couldn’t put down. I was pleasantly surprised! I had to force myself to stop reading at times so that I could go work on my own art.
The similarities between Matisse’s philosophies and my own are striking. I know that not every artist or person has the same philosophies. To find such similarities between Matisse and myself was as if he knew my thoughts and was talking directly to me. It was as if he could read my mind from the pages of the book.
To be able to read this book is such a gift. Initially, when the interview was completed, Matisse had decided not to have it published. He never gives an exact reason in the letters included in the book. I’m so glad that it was ultimately published though. As an artist it’s invaluable to hear the words of an artist who had such passion for creating and made their living with their art. This book comes with pictures that accompany the conversations so that you can refer to what works Matisse is talking about. Along with the English translation of the conversation, the original conversation in French is in the back of the book. I will be reading it next as I’m brushing up on my French. If you love art, Matisse’s work, or are fascinated by the musings of artists I’d highly recommend “Chatting with Henri Matisse”. It’s a wonderful look into his personality and life.You can find a copy of Chatting with Henri Matisse: The Lost 1941 Interview here.
I really am bad about this whole blogging thing. I really need to get better at it. Anyway, here’s some exciting news! One of my pieces was accepted into a juried show at Capital Artworks gallery in Sacramento, CA!
The piece that was accepted is quite different from the abstract pieces that are in my portfolio. Something not everyone may know about me is that I have a passion for creating figures and portraits just as much as I have a passion to create my abstract works.
I think my interest in drawing figures must have started in the first grade when I drew a woman wearing a nightgown standing next to a slanted table. Honestly, I’m not sure I ever seriously drew stick figures (until college that is and that’s another story for another time).
Heather’s first grade drawing of “Woman and Slanted Table”
In college I must have taken a life drawing or life painting class almost every semester. I remember my small scale sculpture professor used to have us draw a portrait of the person sitting across from us on the first day of class each semester. I remember him saying something along the lines of “Heather, your portraits are really good, why are you in my metal class?!” I’m pretty sure I said, “I want to know how to do more than one medium. I plan on living a long time and I don’t want to get bored.”
Since college, some of my friends, family, and my significant other (though reluctantly at times) have posed for my drawings.
I’m fascinated by how malleable our bodies are, how they change over time, and how expressive we can be without even realizing we’re being expressive. Every body is fascinating to look at.
The call for artists asked for tasteful nudes and bathers and the artists interpretation of staying cool in the summer time. Here’s a picture of the piece that will be in the show at Capital Artworks.
“Summer on the Rocks” Charcoal and Conte on Paper 15.25″x19.25″ (framed)
2014 has started out pretty good. Here are some of the things that have happened so far and some things that I’m working on.
I had my first solo show in an art gallery. I learned a lot about what it takes to put on a solo show and learned some things that I’d do differently next time. Even though the gallery does a lot of their own advertising, next time I want to do more of my own and I learned that galleries are ok with this.
Next time I’d like to:
Make postcards with my artwork on them to send and pass out to people.
Send out reminder emails the day before and day of.
Call my network of people the day before to remind them of the show the next day.
Have an email and snail mail list people can sign up on so that I can keep them updated about future shows, events, and generally what work I’m doing.
These are important because I know everyone has busy schedules and usually people appreciate the reminders. Even though I got a lot of rsvp’s on my evite there were many people who just forgot that it was going on.
In February I was interviewed on Art Snapper’s blog as one of their emerging artists. It was definitely a new experience and a little scary. They asked a lot of open ended questions on my views of art and my journey as an artist so far. In a way I felt really vulnerable explaining why I create art and my history as an artist especially since this has been something I’ve been working towards for as long as I can remember. When I was a kid people would always ask “What do you want to be when you grow up?” I’d say “An artist.” Here’s a link to the interview: http://artsnapper.com/emerging-artists-interview-heather-scott/
I’m currently showing a couple of pieces in the group show “Salon Mode” (curated by fellow UH alumna Lisa Shiroma) at Kissaten Coffee on Piikoi St. in Honolulu. And it just happens that Piikoi St. was the first street I lived on when I first moved to Hawaii :).
Kanikapila 2014
I’m currently working on some new jewelry pieces, drawings for my amazing kickstarter backers, and I’m really excited about a sculpture that I’ve been itching to do for the past year that I’ve finally started working on! I have a group of pieces being cast into metal at this moment and I’m really excited to see how they come out. In the world of I want it now now now, having to wait for the casting process is sometimes torture! But it’s always worth the wait!